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Just at this moment he is coming down through brake and furze, past tangling blackberry-bushes that are throwing out leaves of brilliant crimson and softest yellow, and over rustling leaves, towards the farm that holds his divinity.,

The man who manages the farm generally—and is a plague and a blessing at the same time to his master—appears round a corner, and declares, respectfully, that he will be ready in a "jiffy" to accompany Miss Mona, if she will just give him time to "clane himself up a bit.",

"Bridget," says Mona, "will you go in and get me a cup of tea before I go to bed? I am tired.",

He takes little trouble about anything, certainly none to make himself popular, yet in all the countryside no man is so well beloved as he is. It is true that a kindly word here, or a smile in the right place, does more to make a man a social idol than substantial deeds of charity doled out by an unsympathetic hand. This may be unjust; it is certainly beyond dispute the fact.

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The next morning the young man awoke and went on toward the next butte. It took him a long summer's day to get there, but he found there no lodge, so he lay down and slept. Again he dreamed. In his dream he saw a little lodge, and saw an old woman come to the door and heard her call to him. He went into the lodge, and she spoke to him.,

To travel here and there, from city to city and village to village, with Mona, would be a far happier arrangement. But underlying all else is a longing that the wife whom he adores and the mother whom he loves should be good friends.,

"Everything shall be just as you wish it, dearest," says his mother, with unwonted tenderness, and then silence falls upon them all.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.